In this post you will hear Avaz-e Dashti, the haunting sound of the desert. Dasht means desert in Farsi. It is a soulful longing that is heard in Dashti. It is the howling winds, and the endless quiet of the desert. All these sounds can be heard in Dashti.
Until now, we have been analysing the different sub-dastgah of Shur in a very detailed theoretical way. But this time, I want to explore an emotional, aesthetic, artistic, or intuitive way of approaching music. So I am not going to do much analysing other than telling you what scale and what notes are being played. I am doing this because Afshari, Dashti, and Avaz-e Kord (I haven’t dealt with Kord yet) are very similar. They pause and play with the same notes. And when performed by masters of Persian music they often move through these sub-dastgah sequentially depending on use of poetry, mood, and whim.